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Icehouse just announced the coolest tour ever. In June and July 2027, the Aussie rock band will perform their landmark 1987 album, Man of Colors, in full for the first time. The six-date headline tour also marks the band’s first indoor concert tour in more than 20 years.

“The band and I are excited to be celebrating the Man of Colors anniversary with you all,” Iva Davies, Icehouse’s frontman and principal creative force, said. “We’ve never played some of the songs from the album, so this tour is going to include some firsts for us as well as our fans.”

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The news comes as Man of Colors celebrates 40 years. Icehouse’s fifth studio album, it was released on Sept. 21, 1987. It became the rock and synth-pop band’s best-selling album, peaking at No. 1 in its native land for 11 weeks.

The record also made history as the first Australian album to yield five Top 30 singles, including “Electric Blue,” “Crazy,” “My Obsession,” the title track, and “Nothing Too Serious.” It also went seven-times platinum in Australia.

In the U.S., Man of Colors became Icehouse’s biggest commercial success, reaching No. 43 on the Billboard 200 while “Electric Blue” climbed to No. 7 on the Billboard Hot 100.

According to Icehouse’s website, their Man of Colors Tour will kick off at Newcastle Entertainment Center on June 5, 2027, and conclude at Perth’s RAC Arena on July 10. Before the band sets off, they have two outdoor shows planned. One at Night at the Parkland in Brisbane on Sept. 18, 2026, and another at Live at the Fleet Steps overlooking Sydney Harbor on Sept. 30.

‘Man of Colors Tour’ Dates

• June 5, Newcastle Entertainment Center
• June 12, Brisbane Entertainment Center
• June 19, Qudos Bank Arena, Sydney
• June 26, Margaret Court Arena, Melbourne
• July 3, Adelaide Entertainment Center
• July 10, RAC Arena, Perth

Speaking to the benefit of performing this tour indoors, Davies said, “Compared to the big outdoor shows we’ve mainly been playing over the past 15 years, indoors means we get to play more songs and create an even bigger show for us all.”

Australia’s live entertainment scene is booming of late, drawing a mix of global pop superstars, hip-hop icons, heavy metal legends, and homegrown favorites. That means Icehouse is in good company over the next several months.

Earlier this year, Ed Sheeran, Sabrina Carpenter, and Linkin Park finished their Aussie tours, with BTS, J. Cole, Iron Maiden and Megadeth, Roger Daltrey, Dead Boys, and so many more gearing up for sold-out shows Down Under.

Presale for Icehouse’s Man of Colors Tour begins Wednesday, Sept. 16, at 11 a.m., with general sale opening Friday, Sept. 18. Special guests will be announced soon. For more information and venues, head to icehouse.com.au.

“These are going to be very, very special shows… See you there!” Davies said.

Related: ’70s Rock Legends Announce Another Round of Shows Following Their ‘Windy Cities Tour’

Celine Dion made her triumphant return to the stage on Saturday, September 12, after more than six years. The “My Heart Will Go On” artist broke down in tears during her opening while singing her 1998 French-language ballad “On ne change pas.”

“These are, of course, tears of joy,” Dion, 58, told her sold-out crowd, per CBS News. “I’m so delighted to see you.”

The beloved artist’s performance marks her first headlining show since announcing her battle with Stiff Person Syndrome in December 2022.

“The path was rockier than expected,” she added. “Tonight, I want to sing for you, sing for myself, sing for life.”

The Grammy Award winner announced her comeback earlier this year, revealing her plans to perform 10 live shows in Paris between September 12 and October 14.

“This year, I’m getting the best birthday gift of my life. I’m getting the chance to see you, to perform for you,” she announced in March.

@gala.fr

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The Canadian superstar opened up about her diagnosis in an interview with Harper’s Bazaar in August, revealing that she had been experiencing symptoms for 17 years before her official diagnosis.

“It is a progressive condition. I don’t like to say ‘disease.’ Disease makes you go like this,” she told the outlet.

On Sept. 11, 1942, Lola Falana was born in Camden, New Jersey, and she went on to become known as the Queen of Las Vegas. On Friday, Sept. 11, 2026, the legendary entertainer celebrated her 84th birthday.

Practically born with music in her veins, the singer-dancer-actress was said to have been dancing by age three and singing in the church choir by age five. By middle school, she was already performing in nightclubs (to which her mother would escort her). Falana even reportedly dropped out of high school months before graduation to move to New York City and further pursue an entertainment career.

In 1958, her first official dancing gig was as an opener for a Dinah Washington nightclub appearance. Washington, regarded as the Queen of Blues, played a major role in Falana’s early career success. She was later discovered and mentored by Sammy Davis Jr., who gave her a featured role in his 1964 Broadway musical Golden Boy.

From there, the talent launched her singing career with “My Baby,” her debut single in 1964. Falana has appeared on-screen in several film and TV roles, most prominently becoming a major star of Italian TV and cinemas in the late 1960s with movies like Lola Colt.

During the 1970s, she appeared on The Joey Bishop Show, The Hollywood Palace, The New Bill Cosby Show, The Muppet Show, and on late-night TV as a guest on The Tonight Show Starring Johnny Carson, and more. In 1975, she made her Broadway return as the lead in the musical Doctor Jazz, for which she earned a Tony Award nomination for Best Actress in a Musical.

In the same decade, she brought her act to the famed strip, performing for sold-out crowds at The Sands, The Riviera, MGM Grand, and The Aladdin hotels, the latter of which offered her $100K weekly. At the time, Falana was the highest-paid female performer in Las Vegas. Her show ran for 20 weeks throughout the year, and became a major tourist attraction.

By the late ’70s, she was considered the “Queen of Las Vegas”—and with stats like that, it’s easy to see why.

Her entertainment career was reportedly cut short due to a multiple sclerosis diagnosis and major challenges with the health condition over the years, according to the African American Registry. “Falana attributes her recovery to a spiritual experience, which she described as ‘being able to feel the presence of the Lord,'” the entity noted.

In the 1990s, she founded The Lambs of God Ministry, dedicated to helping orphaned children in Sub-Saharan Africa.

Across social media, fans celebrated the icon, with one dubbing her “The queen of the stage, the first Diva.”

“The lovely and queen of hypnotic show dancing,” another chimed in, wishing her a “Happy birthday.”

Next, ‘Queen of Disco’ Turns 83

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Before colored glassware started filling today’s kitchen, there was milk glass. The opaque glass, most commonly recognized by its creamy white finish, has been in households for generations, and vintage vases, bowls, dishes, and lamps still turn up in antique stores and collectors’ cabinets today. Now, you don’t necessarily need an antique-store run to add some to your collection. 

The Better Homes & Gardens Portable Rechargeable Milk Glass Table Lamp at Walmart costs just $15, pairing a recognizable old-fashioned look with cordless functionality. The result looks decorative enough to earn a permanent spot on display, while still being practical enough to move wherever illumination is needed.

Better Homes & Gardens Portable Rechargeable Milk Glass Table Lamp, $15 at Walmart

Courtesy of Walmart

Shop at Walmart

Made from a single-piece casting, the shade has a smooth, opaque white finish associated with vintage milk glass, but the simple dome shape keeps it from feeling overly old-fashioned. A slim brass-finish stem and flared base add warmth and a little midcentury influence, while the matching brass detail on top adds a polished touch. Measuring 11 inches tall and just 6 inches wide, it’s petite enough to perch on a crowded nightstand, bookshelf, kitchen counter, or small side table.

What looks decidedly retro on the outside is much more modern underneath. A rechargeable battery is built into the base, letting the lamp shine completely cordless for up to eight hours on its lowest brightness or six hours on high. A 31.5-inch USB-C charging cable is included to power it back up, though you’ll need to supply the charging block or compatible outlet.

Shop More Deals

• Home Decor Collection Sterling & Noble Home Brown Velvet Fringe Victorian Style Rechargeable Table Lamp, $30 at Walmart
• Home Decor Collection Sterling & Noble Home Brown Floral Rechargeable Table Lamp, $24 at Walmart
• Home Decor Collection Sterling & Noble Home Brown Rounded Pleated Rechargeable Table Lamp, $23 at Walmart

Tap the touch sensor to cycle through warm, neutral, and white color temperatures, then press and hold to fine-tune the brightness instead of settling for a few preset levels. Go warm and dim during dinner or before bed, then brighten it for reading or working. The LED is integrated, too, so you don’t need to buy a separate bulb.

Dubbed a “sturdy, beautiful little lamp” by Walmart shoppers, this “classic” yet “modern” design earned plenty of praise. “This little gem feels more expensive than its price, with a weighty base and milk-glass shade. The charge powers the light for a few hours, and it looks very elegant on a tabletop,” one reviewer wrote.

Related: Walmart’s $20 Rechargeable Lamp Has the ‘Cutest’ Retro Design and Gives Off a ‘Warm, Pleasant Glow’

Want “vintage style” paired with a “cozy” glow? Look no further than the $15 Better Homes & Gardens Portable Rechargeable Milk Glass Table Lamp at Walmart!

Don’t miss future deals! Sign up for Parade Picks to receive our commerce team’s curated selection of discounts and sales, twice a week.

Leave it to Donald Trump’s daughters-in-law to post the two best pics of the First Family’s recent trip to Ireland. 

Trump, Donald Trump Jr., Bettina Trump, Eric Trump, and Lara Trump recently jetted off to visit the Doonbeg golf resort for the Irish Open and to meet with the Irish Prime Minister and Irish President. And while some of the trip included serious business, based on a few of the photos, the family also had fun. 

On Sunday evening, Don Jr.’s wife Bettina posted a series of snapshots on Instagram from the weekend’s activities, captioning her carousel, “Ireland, Part 1, Dublin to Doonberg. Ireland in all her glory! Feeling especially blessed to experience it all with @donaldtrumpjr and 3 of our favorite traveling companions.” 

The slideshow featured family photos of Trump Jr. and three of his children, official activities, and…a bathroom selfie with the President? 

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Yes, that’s right. Bettina posted something we probably never thought that we would see. Scroll through the first few pictures, and hidden in the middle of the carousel is a candid shot of Trump, Bettina, and Trump Jr’s 12-year-old daughter Chloe. But instead of a perfectly posed pic, this one is a bathroom shot of the trio (Trump Jr.’s son is off to the side). 

Fans jumped on the post, commenting, “Redefining bathroom mirror selfie!” and “Trump mirror selfie is gold.” 

Bettina wasn’t Trump’s only daughter-in-law to share a cute candid from the weekend. Lara also posted a photo that made fans giggle.  But this one didn’t include the President. Instead, the pic was of herself and brother-in-law Trump Jr. twinning. 

The post features a pic of the duo, both wearing plaid suits, standing in front of plaid curtains, with the apt caption, “We both got the memo.” 

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Commenters shared Lara’s humorous take on the pair’s matchy-matchy ensembles: “Looking sharp, and camouflaging in the curtains”, “Apparently the drapes for the same memo,” and “That suit! Perfection!” 

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Even though the bathroom selfie and twinsy pics got laughs, Lara also shared a cute clip of her kiddos (eight-year-old Luke and seven-year-old Carolina) playing tag on the tarmac with the caption, “Sometimes you just have to let them be kids.” And that one was the real winner!

Pottery Barn has some very cute and on-trend home decor, furniture, kitchenware and more, but it isn’t exactly the least expensive retailer on the planet. It can definitely get pricey and isn’t within everyone’s price range. Luckily, you can capture the PB look for a whole lot less thanks to none other than Hobby Lobby. Right now, the store has a chic dinner plate set that is twinning with Pottery Barn but for a fraction of the cost.

Hobby Lobby’s Market Square Blue Floral Ceramic Plates look oh so similar to a Pottery Barn style, at over three times the price. Pottery Barn’s set retails for $64. Meanwhile, Hobby Lobby’s retail price is just $18.99.

Both Hobby Lobby’s and Pottery Barn’s plates feature a bold white-and-dark-blue color scheme, and each plate has a swirly, painterly floral design that feels super unique. Both plate sets also have a scalloped blue edge, adding even more artisan charm.

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Market Square Blue Floral Ceramic Plate, $18.99 at Hobby Lobby

Hobby Lobby

Both Hobby Lobby’s and Pottery Barn’s dinner plates have similar dimensions, each measuring 10 inches in diameter. However, Hobby Lobby’s measures 1.25 inches in height, while Pottery Barn’s measures 1 inch in height. That said, this isn’t a substantial difference.

Related: Sam’s Club’s Pretty 3-Drawer Nightstand ‘Adds a Nice Touch of Character to the Bedroom’

Just like Pottery Barn, Hobby Lobby’s dinner plate set is both dishwasher- and microwave-safe. This makes it super convenient for everyday use, though they are pretty enough for special occasions as well.

Shoppers love these dinner plates, giving them an average rating of five stars on HobbyLobby.com, especially for their pretty blue-and-white color scheme.

“Love the blue and white design,” wrote one fan in a five-star review on HobbyLobby.com. “I bought these dinner and salads plates and I am so happy I did.”

You can pick up one of these dinner plate sets at select Hobby Lobby stores or on HobbyLobby.com. Each set retails for $18.99. You can also purchase a 4-piece salad plate set in the same design for $15.99 or a single tidbit plate in the same design for $2.99 each.

Related: Hobby Lobby’s ‘Very Sturdy’ Cabinet Is a Game Changer for Small Space Living

Courteney Cox is paying tribute to her late Scream costar, Hayden Panettiere.

Cox, who has played journalist Gale Weathers in all seven films in the franchise, appeared alongside Panettiere in two Scream movies: Scream 4 (2011) and Scream VI (2023).

While speaking with Entertainment Weekly at the 2026 Toronto International Film Festival, Cox reflected on working with Panettiere.

“She’s a really wonderful actor,” Cox said. “The last time I worked with her we had a great time. She was really fun and happy and smart, and it’s really sad. It’s obviously horrible.”

The Scream franchise was already 15 years old when Panettiere was cast in the fourth movie. Scream 4 also marked the first new movie in the franchise in more than a decade and was Wes Craven’s last time in the director’s chair before his death in 2015.

“I love the fact that I got to work with Wes Craven. He is amazing,” Panettiere told Entertainment Weekly in 2025 of her time working on Scream 4. “I’m so sad that he left us far before his time. But he had an incredible impact on my life and on me as an actor, which I now utilize when I go into other projects.”

RELATED: Hayden Panettiere Called Herself a ‘Warrior’ in Final Interview Before Her Death

Panettiere died at the age of 36 on Aug. 16. An autopsy found no signs of trauma or foul play, but her official cause and manner of death remain under investigation pending toxicology results.

According to dispatch audio obtained by People,, law enforcement officials responding to the scene were heard discussing an “overdose” and “cardiac arrest” around the time of Panettiere’s death.

If you or someone you know is struggling with mental health challenges, emotional distress, substance use problems, or just needs to talk, call or text 988, or chat at 988lifeline.org 24/7.

Stevie Wonder was only 22 when he recorded “Superstition,” the funk classic that became a No. 1 hit in 1973 and later earned a place among Rolling Stone’s greatest songs of all time.

Released in 1972 as the lead single from Wonder’s Talking Book, “Superstition” reached the top of the Billboard Hot 100 on Jan. 27, 1973. Billboard lists the song with a peak position of No. 1 and 16 weeks on the chart. It became one of the defining hits of Wonder’s career.

The song was recorded at Electric Lady Studios in New York’s Greenwich Village during sessions for Talking Book, per Songfacts. Electric Lady Studios confirms that the album was recorded and mixed entirely at the studio, which was also closely connected to Jimi Hendrix’s recording history.

Decades later, the track’s reputation grew even further. Rolling Stone ranked “Superstition” No. 12 on its 2021 list of the 500 Greatest Songs of All Time, placing Wonder’s recording ahead of songs by artists including The Rolling Stones, The Beatles and The Beach Boys.

Stevie Wonder recording at the microphone in circa 1973.

Photo by Michael Ochs Archives/Getty Images

“Superstition” arrived during a major change in Wonder’s music.

At the time, the singer was moving beyond the child-star image that had followed him since his Motown years. The song’s heavy drum groove, Hohner Clavinet and electronic sounds gave it a different feel from many of his earlier hits.

Wonder played several of the instruments on the recording, including the clavinet, drums and Moog bass. Steve Madaio played trumpet, while Trevor Lawrence played tenor saxophone. The production team included Wonder, Malcolm Cecil and Robert Margouleff.

The recording also came from a moment of creative freedom for Wonder. His work with Cecil and Margouleff at Electric Lady helped him build songs around keyboards, synthesizers and other electronic instruments.

According to Robert Margouleff, Wonder arrived at the studio with much of “Superstition” already in his head. Margouleff told The Atlantic in 2012, “The whole song was in his head,” and described Wonder as one of the greatest living songwriters of his generation.

The song itself was built around an idea that Wonder did not personally believe in. In a 2000 NPR interview, Wonder explained why he wrote about superstition.

“I think that the reason that I talked about being superstitious is because I really didn’t believe in it,” Wonder said. “I didn’t believe in the different things that people say about breaking glasses or the number 13 is bad luck and all those various things.”

He added, “When you believe in things you don’t understand, then you suffer.”

The song refers to familiar ideas about bad luck, including broken mirrors, ladders and the number 13. Rather than encouraging those beliefs, Wonder used the song to warn against allowing superstition to control people’s choices.

One of the most unusual parts of the song’s history involves guitarist Jeff Beck.

Wonder and Beck had formed a musical connection while Wonder was working on Talking Book. Beck was a fan of Wonder’s music and contributed guitar to another song on the album, “Lookin’ for Another Pure Love.”

The original plan was for Wonder to write a song for Beck. “Superstition” was meant to become that song, and Beck recorded an early version.

Wonder recalled that the idea for the track came while he was performing with the Rolling Stones. 

“I was sitting on the drums, and the first thing that I put down were the drums, and then after that, I put the Clavinet down, and really, I just started singing the melody,” he said.

The recording history became complicated when Motown chief Berry Gordy heard the song and believed it could become a major hit. Wonder’s version was released before Beck’s version, making the Stevie Wonder recording the one that reached radio audiences first.

Beck’s version eventually appeared in 1973 on the album Beck, Bogert & Appice. By then, Wonder’s recording had already become a major hit.

“Superstition” became his second Billboard Hot 100 No. 1, following “Fingertips (Part 2),” which topped the chart in 1963 when he was still known as Little Stevie Wonder.

The song’s influence did not stop with its chart success. “Superstition” helped establish the sound of Wonder’s early-1970s classic period and became a lasting example of funk, R&B and electronic music coming together.

What began with a 22-year-old musician building a song from a drum part and clavinet became a No. 1 hit, a Grammy-winning recording and a song ranked among the greatest in music history.

Related: 1975 Soft Rock Song, Recorded in Doraville, Georgia, Is Still a Powerful Hit 51 Years Later

Jean Smart has earned so many Emmy Awards that she has apparently lost track of one.

The Hacks star, who celebrated her 75th birthday on Sunday, Sept. 13, made the surprising confession during an April appearance on Jimmy Kimmel Live!

Per Entertainment Weekly, when Jimmy Kimmel asked Smart how many Emmys she had collected, she replied, “I have seven, but I lost one. I don’t know where it is.”

“That means you have too many Emmys!” Kimmel joked.

“Never too many,” Smart shot back.

The missing trophy may be “in a box somewhere,” Smart said. She explained that she keeps the others on a shelf in her office, although one previously spent time with her son’s friend, who borrowed it for a film project.

Jean Smart

Photo by Frazer Harrison/Getty Images

Smart could soon have another statue to keep track of. She entered Monday’s 78th Emmy Awards nominated for outstanding lead actress in a comedy series for her performance as Deborah Vance in HBO Max’s Hacks.

A victory would give Smart her fifth consecutive Emmy for the role and make her the first performer to win for every season of a television show, Reuters reports.

Long before becoming Deborah Vance, Smart captured viewers’ hearts as Charlene Frazier Stillfield on Designing Women. Her credits since then have included Frasier, 24, Fargo, Watchmen and Mare of Easttown.

According to the Television Academy, Smart is one of only two performers to win Emmys in the lead, supporting and guest comedy categories.

In late summer 1970, Lou Reed was done. After six years and four albums, the iconic frontman bowed out of The Velvet Underground, specifically following a nine-week residency at a New York nightclub called Max’s Kansas City and just weeks before the band’s highly anticipated breakthrough album, Loaded, hit shelves.

The historic exit made for one of the most famous and abrupt departures in rock history. But the album Reed left behind, which was “loaded” with radio-friendly hits like “Sweet Jane” and “Rock & Roll,” became the foundational text of the genre, with one song in particular taking on a life of its own, despite being buried at the very end of the band’s fourth studio album.

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View this post on Instagram How ‘Oh! Sweet Nuthin” Took on a Life of Its Own

Nearly four decades after it was released into the world, “Oh! Sweet Nuthin’,” an epic seven-minute roots-rock finale to the band’s legendary 1960s, early-1970s run, resurfaced to soundtrack one of the most quietly devastating film scenes ever to hit the big screen. That scene in question comes about two-thirds through Sam Mendes’ Away We Go.

Released in June 2009, Away We Go is a high-concept dramedy about an expectant unmarried couple named Verona and Burt, played by Maya Rudolph and John Krasinski, who travel across North America to find the perfect place to raise their first child. Their journey takes them from Phoenix and Tucson to Madison, Montreal, and Miami, but it’s their pit stop across the northern border that cuts especially deep.

While visiting college friends Tom and Munch in Quebec, played by Chris Messina and Melanie Lynskey, the foursome head to a bar to catch up. While there, Munch takes the stage on amateur night for an impromptu pole dance, swaying, unmooring herself from reality, and getting lost in The Velvet Underground’s 1970s finale.

Why the Song Cuts Deep in ‘Away We Go’

On the surface, Munch and her husband seem to present the ideal image of a progressive family. They live in a beautiful home and are surrounded by a group of lovely adopted children. But the arrival of the heavily pregnant Verona pops the couple’s carefully curated bubble and exposes a deep well of profound grief.

As Munch’s three pals look on, transfixed by her movements, Verona and Burt learn from Tom that Munch has just suffered her fifth miscarriage. So, instead of becoming a form of liberation, her dance becomes the saddest striptease ever captured on film.

“The scene with the greatest emotional weight occurs when Burt and Verona seem to have found the perfect place, only to discover that their friends are living through a sorrow so profound it threatens to infect them,” Omelete wrote about the scene. “The scene lasts about two minutes, featuring several charged glances and minimal dialogue set to the Velvet Underground’s ‘Oh! Sweet Nuthin’.’”

Commenting on the music, Salon wrote, “‘Oh! Sweet Nuthin’, which has since found its way onto several soundtracks, including Stephen Frears’ High Fidelity and Sam Mendes’ Away We Go [is a stunner].”

How Lou Reed Felt About His Finale

Written by Reed, the track is a masterclass in cinematic needle-dropping. It doesn’t just provide a rhythm for Munch’s tragic dance, but it mirrors the emotional architecture of her entire character arc, turning a seven-minute song about having “oh, sweet nuthin’” into something almost unbearably poignant.

When Loaded was released in November 1970, Reed was already gone from the band. But he never seemed particularly interested in dismissing the album, or the music he left behind.

In the liner notes for the album’s reissue, Reed told David Fricke, “Loaded didn’t have Maureen on it, and that’s a lot of people’s favorite Velvet Underground record.” He added, “So we can’t get too lost in the mystique of The Velvet Underground. … It’s still called a Velvet Underground record. But what it really is, is something else.”

Now, 56 years later, “Oh! Sweet Nuthin’” proved exactly how much something else it could become. In the right scene, the song wasn’t merely heard. It was felt.

Related: 1971 Soft Rock Smash, Forever Linked to ‘Urban Cowboy,’ Gave a Band Its Final Top 10 Hit

Insomnia Cookies is giving away free cookies!

On Tuesday, Sept. 15, the chain is giving away free classic cookies. Classic flavors include Traditional Chocolate Chip, Sugar, Double Chocolate Chunk, M&M’s and White Chocolate Macadamia.

Here’s everything to know about how to get yours before the offer ends.

How to get a free cookie from Insomnia Cookies

Wear your pajamas to Insomnia Cookies between 8 p.m. and close on Tuesday to score a free Classic Cookie. No purchase or rewards membership is required!

The promotion is part of the chain’s eighth annual PJ Party, held in honor of National PJ Party Night, the holiday Insomnia created in 2024.

More Insomnia deals ahead

Monday, Sept. 14, is the last day the chain is giving away free 6-packs of cookies to college freshmen!

Through Sept. 14, incoming freshmen at U.S. colleges and universities can claim a free Freshman 6-Pack of cookies.

To claim the offer, join Insomnia Rewards and add your school and graduation year to your profile. The first 30,000 eligible students will receive an “acceptance letter,” or a reward for a free Freshman 6-Pack, in their accounts. The 6-Pack can include any of Insomnia’s classic cookie flavors.

Once the offer appears, bring your student ID to a participating Insomnia Cookies bakery to redeem it. No purchase or promo code is required, and the offer is available while supplies last.

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By the beginning of September, what people want from a fragrance begins to change. Products that smelled lovely in the July sunshine may seem off when the leaves begin to fall into the autumn months. And once you’re in knits and coats, fragrance sits closer to the body and lasts longer.

But if you don’t have a large fragrance collection, you may not have a scent ready for the seasonal change. Many people want something “warm, cozy and spiced,” but it turns out those words could describe a vast array of fragrances. Many fall perfumes on the market may be called “warm” or “spicy” yet smell nothing alike.

To sort out how to consider the trending scents this season, we spoke with Kershen Teo, founder and perfumer at Prosody London, a botanical fragrance house known for working exclusively with 100% natural ingredients. Teo consults directly with clients on seasonal scents, and he’s noticed that four trends keep surfacing (and none of them are pumpkin-spice).

This autumn season, what his clients are asking for is “comfort with more structure than summer allowed,” he says. “Not heavier for its own sake—warmer because the weather, the clothes and the mood all ask for it.”

Related: 9 Perfumes Women Over 40 Get the Most Compliments On, According to Fragrance Experts

What’s the Difference Between Fall and Summer Perfume?

The difference is partly chemistry and partly what’s natural to the season. For example, peach and coconut in July, but plum and vetiver in October.

“Summer wants lift: citrus, aquatics, light florals, bright fruit,” Teo tells Parade. In autumn, cooler air gives “spices, woods, resins and darker fruit” space to bloom, he says.

Heavier clothing causes people to “reach for something that feels like a layer, not a splash of cold water,” he explains.

Related: The Exact Perfume You Should Wear Based on Your Favorite Romantasy Book

Top Fall 2026 Perfume Trends

• Warm amber
• Gothic fruit
• Quiet woods
• Spicy florals

Related: 11 Vintage Fragrances That Deserve a Comeback

Should You Wear Stronger Perfume in Cold Weather?

Not necessarily. Teo says how you apply a fragrance matters more than the strength of its concentration. And it’s better to start with less.

“One spray on the chest, plus maybe one in the hair or on a scarf,” is often enough, he says. If a scent still travels farther than you want, look for the same fragrance in a lighter concentration, since an eau de toilette will be softer than an eau de parfum.

The formula is worth considering too, since well-balanced botanicals may wear softer than a synthetic-heavy oriental, according to Teo, who adds, “Benzoin or myrrh can read rich instead of cloying when the formula is allowed to breathe and move on skin.”

Related: The 5 Best Fragrance Layering Methods and 3 To Skip

What Fragrance Notes Are Best for Fall?

“The surprise for a lot of people is that fall no longer has to smell like a candle aisle,” he says. “Tea, coffee, dark fruit and dry citrus feel seasonal without being a costume.”

Here are three fall scent swaps he suggests:

• Plum instead of apple. “Apple still smells like a candle,” Teo says. “Plum smells ripe, a little wine-y and sits on woods instead of sugar.”
• Coffee and black tea instead of caramel. “Caramel is dessert,” he says. “Coffee and tea are dry, bitter and adult—they warm a composition without frosting it.”
• Saffron and toasted sesame instead of cinnamon. “Cinnamon is the costume version of fall spice,” he says. He prefers saffron and sesame, “which is toasted, nutty and almost savory.”

Can You Wear Summer Perfume in the Fall?

“Don’t retire it automatically,” Teo says. “Retire the way you wear it.”

“Keep the summer scent for warm September days and indoor heat,” he continues. “You can also layer it over a woody, amber base like a simple sandalwood or vanilla perfum works. Switch from spraying skin to spraying a scarf or sweater so it reads warmer.”

The exceptions are the loudest summer profiles.

Pure beach scents and anything strongly aquatic or coconut-forward is worth packing up until spring, Teo says, because “those rarely survive a cold morning.” The bottles that transition best “already have a foot in both seasons: fig, tea, rose-wood or orange-amber.”

Related: 10 Peach Perfumes Women Will Get the Most Compliments On

4 Trending Fall Perfume Trends for 2026

Here’s what Teo says is coming up this season, and what to try in each category.

1. Warm amber

The first group is built on amber resins, which have depth without sweetness—benzoin, labdanum, myrrh, opoponax and tolu balsam.

“After a summer of citrus and aquatics, people want depth as the air cools,” Teo says. “These smell like being wrapped in something warm.”

Warm and sweet are not the same thing, he points out. An amber that leans sugary will smell like dessert, but one built on resin stays dry.

M/Mink by Byredo, $330

Byredo

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This features “incense and clover honey over amber and patchouli,” Teo says. The fragrance was built around the smell of ink—Byredo developed it with the Paris studio M/M, working from a block of Asian calligraphy ink. Teo considers it the resinous, unsweetened end of the amber category.

Neroli Nuance by Prosody London, $173

Prosody London

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Teo’s own fragrance has neroli and orange blossom over benzoin, labdanum, tolu balsam and agarwood. “Floral on top, resin underneath,” he says. “Warmth that doesn’t turn to syrup.”

2. Gothic fruit

Teo separates gothic fruit from summer fruit—plum, black cherry, fig and blackberry are a match for fall.

Gothic fruit is “ripe and a little mysterious, not juicy-tropical,” he explains. Think “fall fruit, not beach fruit.”

What keeps the category from being sweet is what sits underneath the fruit, he says. Fruit over wood stays dark; fruit over sugar turns into dessert.

Galop d’Hermès by Hermès, $279

Bloomingdale's

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Teo calls this “fruit with a spine,” and a “grown-up” option in the category with notes of quince, rose and leather.

Féminité du Bois by Serge Lutens, $72

Fragrancenet

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This has notes of plum and cedar. Tea explains it as, “Dark fruit sitting on wood, which is why it reads autumn instead of juice.” He prefers plum to apple for fall fragrance.

3. Quiet woods

Teo calls this trend the safest daytime choice of the four. With vetiver, cedar and soft sandalwood, it’s “more grounded, less showy,” he tells Parade. “As people pile on layers, they want a scent that feels polished, not loud.”

His own creation, Lantern Reed by Prosody London, has nootkatone, the compound largely responsible for grapefruit’s dry character, so the fruit can work in the fall. The scent has dry grapefruit, vetiver, then myrrh. “Bright without going beachy, woody without going forest,” he says.

Bois des Îles by Chanel, $290

Selfridges & Co.

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This fragrance has notes of jasmine and ylang ylang on creamy sandalwood. Teo’s shorthand for it: “feminine wood, not a lumberyard.”

Kedu by Memo Paris, $350

Bloomingdale's

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This has sesame and grapefruit with cedar and a touch of oakmoss. Teo calls this “a woody gourmand” and “exotic,” in which toasted, savory notes take the place of sugary ones.

4. Spicy florals

Teo attributes spicy florals to memories like mulled drinks, baking or a pot on the stove. The notes are pink pepper, anise, cardamom and bay built around rose or jasmine.

“Those notes hit the memory immediately,” he says.

Epic Woman by Amouage, $395

Neiman Marcus

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Teo calls this fragrance a “rose-spice tea” with cumin, pink pepper and jasmine.

Jasmin Angélique by Atelier Cologne, $137

Fragrancenet

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Teo describes this as having “heat in the flower,” with Sichuan pepper and angelica over jasmine, then fig, incense and tonka.

What Are the Best Fall Perfumes for Women Over 50?

All four families work for women over 50, and Teo says the reason is chemistry as much as taste. Mature skin tends to hold a warm base longer, so amber, sandalwood and vetiver come out richer rather than thinner.

“What flatters more than age is balance,” he tells Parade. “Warmth without syrup, florals with a spine, fruit that’s ripe rather than candy.”

Up Next:

Related: Why Women Over 50 Are Switching to Perfume Oils (and the 5 Best To Try)

Source:

• Kershen Teo, founder and perfumer at Prosody London

Sometimes a great song has to travel a little before the world catches up.

When Linda Ronstadt released “Faithless Love” on her landmark 1974 album Heart Like a Wheel, the aching country ballad already had everything a classic needed: a beautiful melody, an unforgettable chorus and lyrics by J.D. Souther that distilled the disappointment of a dying relationship into something almost painfully simple.

It just wasn’t a hit. At least not yet.

Souther wrote “Faithless Love” during a period when he and Ronstadt were both part of the extraordinarily fertile Southern California music scene that also produced the Eagles and Jackson Browne. Ronstadt and Souther had been romantically involved, and one night at two or three in the morning, Souther was working on the song in the piano room of their apartment when he accidentally woke her.

“I told her I thought it was gonna be a really great song but it’s kind of hopeless,” Souther recalled in an interview with The Huffington Post. “I had a modulation going into the bridge and one coming right out of it and it seemed too crazy and I didn’t think it was gonna work. She said that she thought it was beautiful and she wanted to sing it.”

And she did.

Ronstadt became the first artist to release “Faithless Love,” including it on Heart Like a Wheel in November 1974. Souther played acoustic guitar and sang harmony on the recording, his voice winding around Ronstadt’s as she sings of a love that inevitably disappears, leaving heartbreak behind.

Introducing the song one night in 1977 to an audience of adoring fans, Ronstadt referred to J.D. Souther as “my favorite songwriter, and one of my favorite singers” before launching into a flawless performance.

Critics noticed. Rolling Stone singled out “Faithless Love” in its contemporary review of the album, calling it perhaps Souther’s strongest ballad to that point and praising his harmony vocal. Heart Like a Wheel went on to become Ronstadt’s commercial breakthrough, reaching No. 1 on the Billboard 200 and eventually earning a place in the Grammy Hall of Fame.

Souther finally released his own beautifully restrained version of “Faithless Love” on his 1976 album Black Rose. But it would take another eight years, and another great voice, for the song itself to break through on radio.

In 1984, Glen Campbell wasn’t an emerging artist—he was a superstar whose career had lost considerable momentum, surrounded by recent controversy and trying to regain traction on country radio. The extraordinary run of hits that had made him one of the biggest stars of the late 1960s and 70s had slowed considerably, and he hadn’t scored a Top 10 country hit in three years.

For Letter to Home, his second album for Atlantic Records, Campbell made a significant change: He headed to Nashville and teamed with producer Harold Shedd to embark on their first full-length recording. Together, they reached back a decade for Souther’s “Faithless Love,” a song already familiar through Ronstadt’s and Souther’s recordings but one that had never been a hit single.

It turns out the song needed Campbell just as Campbell, at that particular career moment, needed the right song. Released as the lead single, the tastefully arranged cover finally gave “Faithless Love” its radio breakthrough and gave Campbell his first Top 10 country hit in three years.

Years later, Souther mused on the unusual history of the song, noting that many listeners came to remember Ronstadt’s recording as the hit, even though hers had never been released as a single.

“Glen is a great singer and it was a completely different market and came out a reasonable amount of time after the other version. It was even nominated for a Grammy. He really made it a big record,” he said. “The funny thing is the public memory seems to be that the hit came from Linda’s version in the same way that people thought that ‘Desperado’ was a hit for The Eagles, which just wasn’t the case.”

That may be the more interesting measure of “Faithless Love.”

Ronstadt introduced it. Souther gave it his own voice. Campbell gave it its radio breakthrough. And somewhere along the way, the song became bigger than any one recording of it.

As Souther understood particularly well, sometimes a hit is made by the charts.

And sometimes listeners make one over time.

Related: 1971 Rock Song by Yes, Lasting Nearly 9 Minutes, Is Still a Generational Hit 55 Years Later 

In 1983, a mysterious Canadian musician calling himself Lewis recorded an album in Los Angeles. Not long afterward, he seemingly vanished.

L’Amour was released privately that year and attracted little attention. Lewis, whose real name was later reported to be Randall Wulff, disappeared from public view almost as quickly as his music did.

Even the photographer behind the album’s striking black-and-white cover had a strange story to tell.

Photographer Ed Colver spoke to VICE about meeting Lewis at the Beverly Hills Hotel, where the musician was driving a white Mercedes convertible and accompanied by a glamorous girlfriend. After completing the album artwork, Colver said Lewis paid him with a $250 check that bounced. When Colver returned to the hotel looking for him, Lewis was gone, reportedly headed to Las Vegas and then Hawaii without leaving forwarding information.

Lewis did record another album, Romantic Times, released under the name Lewis Baloue in 1985, but both records largely disappeared into obscurity.

Lewis poses in a white suit beside a convertible and private plane on the cover of his 1985 album ‘Romantic Times.’

Light in the Attic

Then, more than two decades later, something remarkable happened.

In 2008, Canadian record collector Jon Murphy found a copy of L’Amour at an Edmonton flea market and bought it for just $1. He eventually shared the record with others, and word about the haunting, little-known album began spreading among collectors online.

Seattle label Light in the Attic reissued L’Amour in 2014, but there was a problem: no one seemed to know where Lewis was.

The search uncovered pieces of his life, including family members in British Columbia and reports that he had recorded more music in Vancouver during the mid-2000s. But even Lewis’ brother reportedly hadn’t seen him since 2007.

Finally, in August 2014, the mystery took an unexpected turn—Lewis was found alive and living in Canada.

But after the world had spent years rediscovering his music, Lewis wasn’t particularly interested in rediscovering his past. When representatives connected with him, he said he was still writing and playing guitar but had no desire to revive his old career.

“I’m not looking back,” he told them.

After decades of mystery, the musician behind L’Amour had finally been found. He simply preferred to keep moving forward.

Aveeno is known for its stamp of approval from dermatologists for being a great option for sensitive skin, and the product lineup recently received an upgrade in the form of two delightful new body care scents that users with sensitivity concerns don’t have to hesitate using.

Aligning with a consumer need for hypoallergenic skincare, the brand revealed two new offerings this past spring as part of its Aveeno Sensitive Skin Scents launch, providing lightly scented options for those who may typically opt for fragrance-free to keep any possible irritation at bay: Cocoa Butter Vanilla and Shea Butter Berry.

Capitalizing on the gourmand trend that’s been around for decades but received a fresh wave of hype thanks to social media, the warm fragrances are subtle and noticeable but not overpowering.

“Aveeno Sensitive Skin Scents were designed, tested and proven to be gentle on sensitive skin, delivering a multi-sensory, indulgent fragrance experience,” the brand promised of its hypoallergenic line. “Out of approximately 3,000 possible fragrance raw materials, less than 20% meet Aveeno standards for use in our fragrance selection process.”

It further shared a list of things avoided when formulating the products: “harsh essential oils that can trigger redness (live clove, cinnamon, or peppermint), citrus peels and similar ingredients that make skin more sun sensitive, certain musks that can build up in body and the environment, and old-generation fragrance chemicals flagged for irritation and toxicity.”

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Online, shoppers poured in with reviews after using the new Daily Moisturizing Body Wash, Lotion, and Body Oil Mist.

“This was a great surprise to use. It’s a very gentle but extremely moisturizing body wash. The scent instantly relaxes your senses and lets you enjoy your hot shower. It leaves your skin feel soft and smooth after every use. I would recommend everyone using it,” one reviewer raved.

“I love this body wash! I usually deal with dry skin, especially during the winter months, but this body wash has been making a world of difference. It also smells great and lathers up very nicely,” said another.

Meanwhile, someone else ranked it a “10 out of 10,” writing, “I didnt know they made such a yummy scent. Loved this bodywash, the scent was so amazing my 5 year old fell in love too. You could even go without lotion after a shower – that’s how hydrating your skin feels. Ingredients are wonderful, feel safe for my child to use with me. I really like what Aveeno is about.”

A fourth person added, “In the past I have tended to stick to Aveeno products with little to no scent, but I was pleasantly surprised by how lovely this smells! It smells refreshing without being overwhelming. It does a wonderful job at keeping my skin hydrated – especially in the dry, cooler months. It’s also gentle enough to use on all members of my family – including my toddler. Highly recommended!”

“I like the flavor of this shower gel. My skin is very sensitive, and I can tell for sure after 2 weeks of using it I don’t have any irritation. Big size and it foams up very easily, means it will last for long time. I can def recommend it!” an additional fan exclaimed.

Next, 156-Year-Old Moisturizer, Named One of the Best Beauty Products Ever Made, Remains a Multi-Purpose Staple Over 15 Decades Later

If you’re making a recipe that calls for peeling potatoes, there’s a good chance you’re simply chucking those potato skins in the compost or trash. But when you do so, you’re not only throwing away money, but you’re also throwing away something perfectly nutritious, edible and delicious!

In fact, there’s a cooking hack from the Great Depression that brilliantly upcycles potato peels into something new. If you’re a fan of potatoes (I mean, who isn’t?) this recipe is a must-try.

The recipe comes our way courtesy of Chef Anthony Thomas, a Washington, D.C. area-based chef who promotes healthy living. He’s also the author of 11 self-published food-themed books and cookbooks for adults and children, including Making My Ancestors Proud: A Collection of Handcrafted Delicious Recipes and The Little Vegan Chef.

We asked Thomas to share a Great Depression-era cooking hack that still hits home, and below, you’ll find Thomas’ genius, cheap and easy recipe for making something out of “nothing,” aka potato peels. Keep reading to learn more!

Related: 70 Years Later, This Iconic Dessert Is Still a Family Favorite, According to a Celebrity Chef

The Great Depression Forced Home Chefs To Get Creative

For around a decade, starting with the stock market crash of 1929, the U.S. (and soon, many other economies all around the world) experienced the Great Depression. Known as the worst economic time period in recent history, the Great Depression marked record levels of unemployment, low wages and economic deflation.

At the time, the U.S. government did not offer unemployment insurance, meaning that many people who lost their jobs often went into poverty and even lost their homes, per the University of Washington. For the numerous people struggling to make ends meet, lifestyle adjustments were a must—especially in the kitchen.

Families and individuals were forced to get creative with their cooking. People had to prioritize shopping for affordable groceries, stretching ingredients and even taking certain parts of foods that may typically be seen as waste and using them to create something new—and some of the recipes that became popular back then are still enjoyed today.

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The Depression-Era Cooking Hack You Have To Try, According to a Professional Chef

According to Thomas, the depression-era cooking hack that still hits home today is making potato chips using potato peels.

Panagiotis Kyriakos / Getty Images

“My guilty pleasure has always been potato chips,” Thomas tells Parade. “When I’m catering for a client, I’m already peeling potatoes anyway, so why not turn those peels into a snack instead of just chucking them? It’s the ultimate ‘wait, this actually slaps’ moment when you realize scraps can taste better than the stuff you’d pay for at the store.”

Basically, if you’re already peeling potatoes, saving the peels to make potato chips can reduce food waste and save you money (something that was vital during the Great Depression).

“I love that it doesn’t take any real skill, it’s basically just oil, salt and a little patience,” Thomas adds. “Honestly, once you try these, you’ll never look at potato peels the same way again.”

Related: These 44 Meatless and Dairy-Free Casserole Recipes Will Complete Your Vegan Dinner Goal Dreams

Steve Eason / Getty Images

Tips for Making Potato Chips Using Potato Peels

One of the most important tricks for this recipe is to make your potato peels on the thicker side.

“Wash your potatoes before you start peeling, and go for thicker peels instead of thin little shavings,” Thomas says. “This way, they crisp up better.”

Once you have your peels, it’s important to prep them before you hit them with oil and seasonings by patting them dry.

“Dry the peels off really well with a towel,” Thomas says, “because any leftover moisture is the enemy of crispiness here.”

Related: The Grandma-Approved Trick to the Smoothest, Creamiest Mashed Potatoes

As for seasonings, you’ll find Thomas’ suggestions below. However, he encourages you to use “whatever you’re feeling” when it comes to spices.

Additionally, Thomas’ recipe calls for roasting your potato chips in the oven; however, he says you can also make them on the stovetop instead.

“If you’re impatient like me, you can just fry them in a hot pan for 2 to 3 minutes a side instead,” Thomas tells Parade, adding that if you cook them this way, you should let them drain on a paper towel before enjoying.

terrasprite / Getty Images

How To Make Potato Chips Using Potato Peels

There are no exact measurements for this recipe, as the amount of oil and spices you need depends on how many potato peels you have, as well as your taste.

Here’s what you’ll need:

• Thick potato peels from washed potatoes, patted dry
• Grapeseed oil
• Salt
• Pepper
• Smoked paprika
• Garlic powder

And here are the steps, according to Thomas:

1. Preheat the oven to 400°F.
2. Toss the dry potato peels in a bowl with grapeseed oil.
3. Mix in your seasonings.
4. Spread the peels out on a baking sheet in a single layer.
5. Roast for about 15 to 20 minutes, flipping halfway so the chips crisp up evenly.

Once you remove your chips from the oven, Thomas says they’ll taste great plain, but you can also “dunk them in whatever sauce you’ve got lying around.”

Up Next:

Related: Professional Chef Says These 3 ‘Old-Fashioned’ Meals from the 1940s Are the Definition of ‘Comfort Food’

Sources:

• Chef Anthony Thomas, chef and author of 11 self-published food books.
• Great Depression in Washington State. University of Washington.

There’s a reason vintage Pyrex keeps finding its way back into kitchens, antique malls and thrift store treasure hunts. Those colorful glass bowls and casserole dishes aren’t just reminders of midcentury kitchens—they’ve become highly collectible pieces of American design.

Corning introduced decorative Pyrex patterns beginning in the 1950s, transforming practical ovenware into colorful kitchen staples. Over the following decades, collectors saw everything from pink Gooseberry and turquoise Butterprint to earthy harvest-inspired designs, florals, mushrooms and fruit. Many of these pieces were well-used, and they often disappeared into kitchen cabinets for decades, which is one reason finding a complete set in excellent condition can be so exciting today.

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The fall-themed designs are particularly appealing right now. Their warm oranges, browns, golds and harvest motifs fit perfectly with today’s renewed interest in vintage kitchens and nostalgic home decor. Some patterns were produced for only a short time, while others included limited promotional pieces that were never widely sold. Those differences can make a huge impact on value.

So, before you send that old Pyrex bowl to the donation pile, take a closer look. You may have a valuable vintage Pyrex collectible hiding in plain sight. Take a walk down memory lane and see some of our favorite vintage Pyrex fall patterns below.

Why Vintage Pyrex Values Are Skyrocketing Right Now

Audrey Patsiga / Getty Images

The renewed interest in vintage Pyrex isn’t happening by accident. Collectors are drawn to the combination of nostalgia, recognizable design and scarcity. Recent collecting guides continue to identify vintage Pyrex as a popular target at thrift stores, estate sales and online marketplaces, particularly when pieces are rare or in exceptional condition.

The biggest factor, however, is rarity. Corning produced more than 170 identifiable Pyrex patterns, according to The Pyrex Collector’s extensive pattern database. Some were standard patterns that remained available for years. Others were limited patterns or promotional releases produced in relatively small quantities. Promotional pieces are especially coveted because they were often released for a single occasion, season or sales program.

Condition matters just as much. Faded decoration, scratches, chips, dishwasher damage and missing lids can dramatically reduce what a collector is willing to pay. A complete set with bright, intact decoration is a very different proposition from a well-used single bowl.

An unusual color combination, a rarely seen piece or a complete set in a configuration that wasn’t commonly sold can attract considerably more attention. That’s particularly relevant with Pyrex in fall patterns because several of the most interesting autumn designs were limited to specific shapes or special releases.

One word of caution: online asking prices aren’t the same as confirmed selling prices. A seller can list a bowl for $200, but that doesn’t mean a buyer actually paid $200. Think of current listings as an indication of what sellers and collectors are asking, rather than a guaranteed appraisal.

Related: The 9 Childhood Snacks You Grew Up Eating That Were Quietly Banned

The Most Valuable Fall & Autumn Pyrex Patterns

From harvest-inspired designs to rare floral patterns, some vintage Pyrex pieces are much more collectible than others. These are the fall and autumn patterns worth keeping an eye out for at thrift stores, estate sales and antique shops.

Autumn Harvest View this post on Instagram

If there’s one pattern that practically screams fall, it’s Autumn Harvest.

Introduced in 1979 and produced through 1986, the pattern features ivory wheat stalks against rust and dark orange backgrounds. The Pyrex Collector identifies it as pattern #49 and documents it across nesting bowls, Cinderella bowls, casseroles and refrigerator storage pieces. It’s also one of the easiest fall patterns to recognize—and one of the more interesting to hunt.

Current marketplace listings show ordinary Autumn Harvest bowls frequently offered in the $15–$45 range, but complete sets and unusual pieces can climb substantially higher. Current listings include four-piece sets around $125, complete nesting bowl sets around $135 and a particularly scarce-looking all-rust set listed at $175. A vintage Autumn Harvest butter dish has also been listed at around $140 on eBay. While on Etsy, a seller has a set of three casserole dishes with one lid for sale for $90.

That doesn’t mean every Autumn Harvest piece is a $100 collectible. Instead, it demonstrates why complete sets, uncommon configurations and specialty pieces deserve a closer look.

Autumn Floral / Square Flowers View this post on Instagram

This is a Pyrex fall pattern for the serious collectors. Autumn Floral, also called Square Flowers, was produced for just one year—1966—and was limited to Cinderella round casserole sets. The design features yellow square flowers against brown glass. Even more interesting, The Pyrex Collector notes that the pattern wasn’t shown in regular retail catalogs.

That extremely short production period makes Autumn Floral much more intriguing than a pattern that sat on store shelves for years. An Etsy seller has a set of three Autumn Floral casserole dishes listed for $180 right now.

If you encounter one at an estate sale or antique shop, don’t assume it’s simply another brown Pyrex casserole dish. Its short production history is precisely the kind of detail collectors look for.

Golden Acorn View this post on Instagram

For a fall-themed Pyrex hunt, Golden Acorn is another pattern worth knowing.

Produced from 1960 to 1964, Golden Acorn features branches, leaves and acorns in gold on ivory casseroles. Unlike many familiar Pyrex patterns, it wasn’t a broad collection of mixing bowls. It was limited primarily to oval casseroles, divided dishes, open bakers and space savers.

That limited range makes individual pieces easier to overlook. Current marketplace listings show Golden Acorn pieces commonly offered from roughly $15 to $55, depending on the shape and condition.

The takeaway is not that every Golden Acorn casserole is worth a fortune, but more of a note not to overlook this short-lived pattern when you’re hunting for collectible fall Pyrex.

Old Orchard View this post on Instagram

Old Orchard brings another quintessential autumn look to the table.

Produced from 1974 to 1978, the pattern used orange dishes with brown fruit decoration, along with several solid and faded variations. Some pieces feature the fruit design, while others have the distinctive brown-to-orange fade without decoration.

There was even a special Harvest promotional version featuring an Old Orchard-patterned casserole with a hugger cradle. The Collector’s database identifies that release as a promotional piece.

For collectors, that distinction is important. A standard Old Orchard bowl and a less-common promotional configuration may look related, but they don’t necessarily have the same desirability.

Related: The Real Reason Tupperware Parties Ruled the 1970s

Forest Fancies View this post on Instagram

Move into the early 1980s, and you’ll find another fall-friendly favorite: Forest Fancies.

Produced from 1981 through 1986, Forest Fancies features mushrooms and foliage in dark brown on beige speckled glass. It was made in 400- and 440-series nesting bowls and round Cinderella casseroles. This is one of those prints that immediately sparks nostalgia—someone in your life had one of these casserole dishes if you grew up in the 80s.

The mushroom motif has aged particularly well with today’s fascination with vintage cottage, woodland and nature-inspired decor.

Current marketplace listings show individual pieces and sets ranging from relatively modest prices to more substantial amounts, with complete or near-complete sets attracting significantly more attention than ordinary single pieces.

Early American View this post on Instagram

It may not have “autumn” in its name, but Early American deserves a place on any fall Pyrex collector’s checklist.

Produced from 1962 to 1971, the pattern depicts farm and early-American kitchen imagery in brown on white or gold on brown. The earthy color palette makes it a natural Thanksgiving and autumn favorite.

There are also unusual promotional versions, including an Early American chip-and-dip set and a special four-quart casserole.

Those special releases illustrate an important rule of vintage Pyrex collecting: the shape and release history can matter just as much as the pattern itself.

The Bottom Line for Pyrex Collectors View this post on Instagram

If you’re checking Grandma’s cabinets, an estate sale kitchen or the shelves of a thrift store this fall, don’t just look for a familiar Pyrex name.

Look for short production runs, promotional pieces, complete sets, unusual color combinations, original lids and exceptionally clean decoration. Those details can separate a $20 bowl from a much more desirable collector’s piece.

And don’t automatically believe a dramatic online price tag. The vintage Pyrex market is active, but asking prices can vary wildly. The safest approach is to identify the exact pattern, piece number, production era and condition before deciding what something is worth.

The real treasure may not be a bowl worth hundreds of dollars. It might be a rare casserole you almost passed by—or a complete set sitting quietly in a cupboard, waiting for someone to recognize what it is.

Related: 7 Forgotten Kitchen Trends From the 1980s That Are Secretly Making a Massive Comeback

Zendaya has taken her short-hair era to a dramatic new level.

The 30-year-old actress unveiled a full pixie cut at a Prada Paradoxe pop-up party during New York Fashion Week. Photos shared by her makeup artist, Ernesto Casillas, on Saturday, September 12 attracted more than 289,000 likes on Instagram within one day.

Closely cropped at the back, the style leaves Zendaya’s soft curls longer and fuller at the crown. It is one of her shortest looks in recent memory—and a striking departure from the waist-length waves she wore while promoting The Odyssey.

Her colorful Prada outfit layered a deep green sweater over a pink button-down and an embellished brown slip skirt. Casillas complemented the softer hairstyle with lavender eye makeup, rosy cheeks and a neutral lip, dubbing the finished makeup the “wisteria look.”

The pixie marks the latest stage in a gradual transformation. Zendaya cut her hair into a curly bob-pixie hybrid around the end of 2025 before moving on to a longer “bixie.”

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Fans immediately filled the comments with praise.

“It’s giving Halle Berry 😍🔥,” one person wrote, earning more than 2,300 likes.

“My jaw is on the floor !!! My favorite look I’m obsessed 💜,” another declared.

Others focused on the details, writing, “The fairy lash! 🧚🏽😍” and “Hair and makeup wow !😍”

After the Prada event, she gave the cut a more casual spin while heading to dinner with her Euphoria costars Hunter Schafer and Alexa Demie, Vogue reports.

Zendaya traded her event ensemble for a red sweater, straight-leg white jeans and black loafers. The relaxed outing also gave Euphoria fans a rare glimpse of the three costars spending time together away from the screen.

More than five decades after it was recorded in Doraville, Georgia, Starbuck’s “Moonlight Feels Right” remains one of the most recognizable soft rock hits of the 1970s.

The song was recorded at Studio One in Doraville, Georgia, in 1975 and became Starbuck’s breakthrough single, per Classic Rock History. Although it was released in 1975, “Moonlight Feels Right” did not enter the U.S. charts until 1976. It eventually climbed to No. 3 on the Billboard Hot 100.

The song was written and produced by Starbuck leader Bruce Blackman. Its unusual sound, including Bo Wagner’s marimba playing, helped set it apart from many other records of the era.

Starbuck was formed in Atlanta, Georgia, in 1974 by keyboardist, vocalist and producer Bruce Blackman and marimba player Bo Wagner. Blackman, Wagner and guitarist Johnny Walker had previously been connected to the group Eternity’s Children, which scored a Billboard Hot 100 hit with “Mrs. Bluebird” in 1968.

Starbuck’s first major recording came together after Blackman connected with Atlanta music executive Bill Lowery. In a 2024 interview with Goldmine, Blackman recalled taking a reel-to-reel tape containing “Moonlight Feels Right” and “Rock ‘n Roll Rocket” to Lowery’s office.

The meeting quickly led to a recording opportunity. Blackman was asked when he could record, and he answered, “Anytime.” He was then given a three-hour session at Studio One in Doraville.

“That is when we recorded ‘Moonlight Feels Right.’ We had to record two songs in the three-hour session and barely made it. Lynyrd Skynyrd was coming in behind us, so we had to get out.”

The recording featured Blackman on lead vocals and keyboards, Wagner on marimba, Tommy Strain on guitar, David Shaver on additional keyboards, Sloan Hayes on bass and Jimmy Cobb on drums.

When Private Stock showed interest in releasing the record, the label wanted the marimba solo removed because it was considered too long. Blackman refused.

“Private Stock was the last label we went to, and they liked ‘Moonlight Feels Right’ but wanted us to cut the marimba solo out, saying it was too long. I don’t know how I had the guts to refuse to do that, but I did,” he added.

That decision became an important part of the recording’s identity. “Moonlight Feels Right” was released in 1975, but its success did not happen immediately. The record was sent to radio stations without producing the expected response.

The band eventually took matters into its own hands. Blackman and Wagner bought 500 copies of their own record and personally delivered them to radio stations.

One of the most important breaks came from WERC in Birmingham, Alabama. The station had previously indicated that it would play the record but wanted to wait until spring because it sounded like a spring song.

That wait proved important.

“Moonlight Feels Right” finally debuted on the U.S. charts in April 1976. It went on to reach No. 3 on the Billboard Hot 100 during July and August.

The song also reached No. 2 on Billboard’s Easy Listening chart and No. 2 on the Cash Box Top 100. In Canada, it reached No. 3 on the RPM Top Singles chart and No. 1 on the Canadian Adult Contemporary chart.

The song also became a major television performance for Starbuck. The band performed it on The Midnight Special in July 1976 and appeared on American Bandstand with Dick Clark in August of the same year.

The song’s story also has a personal connection to Blackman. In the Goldmine interview, he explained that part of the song came from a memory involving Peggy, the woman who later became his wife.

“Where that line came from is part of the whole song about meeting Peggy, who is now my wife of fifty years, in college,” he recalled. “I had an old ragged out MGB convertible and on one of our dates we went to a lake in Mississippi. I put the top down. We sat back, looking at the stars, and the moon was reflecting off the lake. We had the radio playing on a southern station out of Memphis. I was just writing that memory.”

Starbuck went on to release more music, including “I Got to Know,” “Lucky Man” and “Everybody Be Dancin’.” 

More than 50 years after its creation, the story of “Moonlight Feels Right” is still tied to an unusual recording, a determined young band, a memorable marimba solo and a slow-building radio breakthrough that eventually turned a 1975 release into a 1976 Top 5 hit.

Related: 1977 Soft Rock Song, Recorded in a Colorado Ranch, Is Still a Powerful Hit 49 Years Later

Orlando Bloom is ready to return to the high seas, but he doesn’t want to do it without the original Pirates of the Caribbean crew.

Nine years after the franchise’s most recent movie, Bloom was asked what is holding up another installment while attending the 2026 Toronto International Film Festival.

“I ask that all the time,” the 49-year-old actor told Entertainment Weekly on September 13.

Bloom, who played blacksmith-turned-pirate Will Turner, also revealed that he remains in contact with Johnny Depp.

“I do connect with him every now and again, because he’s amazing,” Bloom said.

Depp starred as Captain Jack Sparrow in all five Pirates movies, beginning with 2003’s The Curse of the Black Pearl. Bloom and Keira Knightley, who played Elizabeth Swann, anchored the original film alongside him.

But Bloom doesn’t appear interested in returning for a reunion involving only one or two familiar faces. He praised the ensemble—which also included Geoffrey Rush and Kevin McNally—as “a really good group of people.”

Bloom has previously said that another movie would work only if “everybody” returned, per the outlet. This time, he pointed to audiences’ enduring affection for familiar characters and stories as one reason the franchise could still have life in it.

The actor admitted, however, that he hasn’t received any concrete information about when—or how—another film might happen.

Producer Jerry Bruckheimer has also expressed interest in having Depp return, but Disney has not officially confirmed Bloom, Depp, Knightley or the rest of the original cast for a sixth movie.